
This blog should of been the first blog I posted. It talks about how Understanding Comics and Watchman have to do with eachother.
Comics: 1. Juxtaposed pictorial and other images in deliberate sequence, intended to convey information and/or to produce and aesthetic response in the viewer (chapter 1). Comics are in fact images put in a certain order to convey some sort of information, but I think that comics are something more than that. Comic books help people live out their fantasies through the characters in the comic book and provide entertainment. In most comic books people their can do things that we cannot. They can fly around, rescue pretty women, and much more, because they can do things we cannot comic books are so appealing.
In chapter two “The Vocabulary of Comics” of Understand Comics the Invisible Art (Scott McCloud) we learn about icons. There are many icons used in the Watchmen (Alan Moore and Dave Gibbons) one of the most obvious is the blood stained smiley on the cover page. This smiley face really isn’t a face but icons we call “pictures” or “images” designed to resemble a human face. Even though this smiley face is simple when you see it you think human, although it does not even begin to look like an actual human face. When you think of a human face you think of two eyes, a nose, and a mouth that is why the basic smiley face can represent the human face. On Page 51 of Understand Comics the Invisible Art we learn of “The Picture Plane” where the basic smiley face represents language. Another icon commonly used in Watchmen is the all-to-famous dooms day clock. This clock represents the countdown until dooms day, which is the end of the world. Another common icon used in the Watchmen is the sound noises “ ,” they are not really sound, but letters representing sound. There really is no sound here except that which you give to it.
The artist uses this sequential technique with gutters to show the order of events to tie in to the overall story line. In Understanding Comics the Invisible Art we learn about the categorization of sequences that can be seen in a comic. The most common forms of sequence that the Watchmen uses is action-to-action, subject-to-subject, and scene-to-scene. Because Watchmen is primarily about masked vigilantes, action-to-action is the most common type of sequence. The gutter space allows for this sequence. Without the gutter space we would have meaningless action taking place, that the reader does not need to know about to understand the comic. On page 25 of chapter 6 of the Watchmen we see both action-to-action and scene-to-scene. We see Rorschach lighting a man on fire and the action that takes place, but we also see the scene jump from the past to where Rorschach is presently at in the comic book.
“Comics are a mono-sensory medium. They rely on only one of the senses to convey a world of experience,” the eye. We “hear” sound through word bubble when in reality it is nothing but letters put together to stand for sound. Within comics we can only convey information visually, which leaves our other senses to wonder with our imagination about what we are seeing visually.